TY - JOUR AU - N. Hula, Ibnu Rawandhy AU - Beddu Mala, Agussalim PY - 2021/03/07 Y2 - 2024/03/28 TI - الفروق الضبطية بين الرسم المصحفى والرسم الإملائي JF - Al-Lisan: Jurnal Bahasa (e-Journal) JA - Al-Lisan VL - 6 IS - 1 SE - Articles DO - 10.30603/al.v6i1.1930 UR - https://journal.iaingorontalo.ac.id/index.php/al/article/view/1930 SP - 85-111 AB - <p>This study is related to the differences in diacritic marks used in writing the al-Quran (<em>rasm mushaf</em>) and conventional writing (<em>rasm imla’i</em>). This study aims to find aspects of the similarities and differences between the diacritic marks in two types of <em>rasm</em>, which are limited to five things. Namely: the sign of <em>ya</em> at the end of the word, the sign of <em>sukun</em>/silence, the position of the <em>kasrah</em> in <em>tasydid</em>, the position of the <em>hamzah</em> in a line of <em>kasrah</em> above the letter <em>ya</em>, and a long reading sign (<em>madd</em>). The type of research used is descriptive qualitative, with the literature and documentation method, which is carried out by reading books and various articles related to this research. The results showed the differences in diacritic marks between writing the al-Quran (<em>rasm mushaf</em>) and conventional writing (<em>rasm imla’i</em>). It consisted of several things, namely: 1) There is a similarity in writing between the <em>rasm</em> <em>mushaf</em> writing pattern and the conventional <em>rasm</em> pattern on letter differentiation, except for the writing of the letter <em>ya</em> at the end of the word, which is ignored in the writing of the <em>mushaf</em> (الهدى). 2) There are similarities in punctuation, especially in <em>harakat</em>, <em>tasydid </em>and <em>hamzah,</em> between the writing of the <em>rasm mushaf</em> and conventional writing, and this is unquestionably and acceptable. 3) There is a difference in the manuscripts printed in the eastern region, using the head of <em>kha’</em> as a sign of <em>sukun</em>, ( &nbsp; ), whereas the ancient manuscripts use a circle like the one used by arithmetic people to denote the number zero ( ( ْ. 4) There are similarities in the writing of <em>tasydid</em> in the <em>rasm mushaf</em> and conventional rasm (<em>imla’i</em>), but the place for the <em>kasrah</em> mark with <em>tasydid</em> in the writing of the <em>mushaf</em> is under the letter (ــــّـــ), 5) Specifically for the <em>hamzah</em> sign that is in the middle and lined up in the <em>kasrah</em>, written <em>ya </em>on the <em>rasm mushaf</em>, by placing the head of the letter ‘<em>ain</em> with the vowel under <em>ya'</em> (&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; ) and this does not apply to the conventional <em>rasm</em> pattern/<em>imla’</em> i الفَائِزُوْن) &nbsp;). 6)The use of a long/<em>madd</em> sign (_ۤ_) above the madd letter, if there is a <em>hamzah</em> or a letter marked with <em>sukun</em>, it indicates an addition to the writing of the <em>mushaf</em> (القُرْءَانُ), meanwhile in use it is in a conventional <em>rasm</em> pattern (<em>imla’i</em>) such as which is in books, it shows <em>hamzah</em> <em>mamdudah</em> (القُرْآنُ)</p> ER -